Fine Art Magazine August Edition

one hand and a brush in the other, and this allows me to create, mould and modify my lines as I go, giving these images an energy and fluidity that I hope reflects or captures the movement of these astonishing animals. Whether I am creating a formal equestrian portrait or an animated portrayal of three horses racing for the finish, it is always an emotional response to what I’m painting rather than a static representation of it.” “Because I am ambidextrous I often work with a pencil in one hand and a brush in the other, and this allows me to create, mould and modify my lines.” MOONLIGHT II Original Painting on Box Board, 21” x 19”